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“One Moment After The Shipwreck” is the new single by Francesco Lurgo (FLeUR), taken from the upcoming new album “Sleep Together Folded Like Origami”

Sleep Together Folded Like Origami is an embrace of electronic and post-rock music. To be released on May 6th, 2022 in digital and limited edition CD via Bosco Rec, the first solo album by Francesco Lurgo, formerly of FLeUR, envelops the listener in melodies that reveal their elegant intensity and in cinematic environmental textures. According to the Italian musician and producer: “I wanted to make a record that explores and celebrates intimacy, the one experienced during the lockdown period. There are no words in these tracks, but the atmospheres reflected my feelings in a universal way“.

The themes evoked by the tracks are also reflected by the artwork, with a drawing by Aurora Bertoli, and by the title of the record, a paraphrase of an excerpt from the novel Conversations With Friends by the Irish writer Sally Rooney, admired for her ability “to combine a narrative of everyday life and profound, almost philosophical considerations“. The embrace of Sleep Together Folded Like Origami is linked to the nocturnal dimension, to the realm of sleep and dreams. Lurgo continues: “Many of the countless replayings of the tracks occurred in the moment before sleeping, when I feel that the mind is completely free to travel, and this is a further reason behind the choice of the artwork and the title of the record. I was not surprised to read an interview with Adam Wiltzie of Stars Of The Lid and A Winged Victory For The Sullen in which he stated: ‘if I can’t fall asleep listening to my track again, it means that this track is not good’ “. In addition to Stars Of The Lid, Lurgo’s inspirations have been Ben Frost – in particular, his soundtrack for the television series Dark – and Tim Hecker, Teho Teardo, Labradford and Godspeed You! Black Emperor.

This solo debut after the adventure in the duo FLeUR, last year at their second album Caring About Something Utterly Useless, allowed a total control over the artistic vision and a coherent work, connected to the influence of natural landscapes, starting from the open countryside environment that framed Lurgo’s lockdown isolation, as well to a certain sense of imaginary narration, legacy of  the theatrical collaborations. During the work in progress, Lurgo kept in constant dialogue with Emilio Pozzolini (port-royal, Earth Begins) and continues his research applied to the combination of electronics, floating between dark ambient and modern classical, and the human warmth of the hands playing guitars and keyboards. The main  novelty is represented by the insertion of strings, specifically the viola played by Erika Giansanti, for a minimal and ethereal sonic magma, with great emotional dynamics. “The guitar is the instrument with which I seriously approached music years ago and it is still the palette I use to write the first forms of many melodies and chord progressions. On the other side, I have used the strings here for the first time, but I have always loved the sound of the solo string instrument, so I agree with one of the artists I respect most, Björk, when she says that ‘if you could amplify our soul, perhaps it would make the sound of a string instrument“. The most appropriate adjective to describe the sound of Sleep Together Folded Like Origami, in short, is “organic”. “I wanted to completely overcome the dichotomy and the contrast between the sharp character of digital sound and the softer one guaranteed by physical instruments, blurring these boundaries to achieve an homogeneus flow“.

The title track Sleep Together Folded Like Origami, extracted as first single, was born in the spring of 2020, almost as if it were a sound meditation on the lockdown, and triggered the creation of the full album. The brand new second single One Moment After The Shipwreck, today available on all digital platforms, was the last to be composed and is also the last in the tracklist. So, it closes a circle that goes from the most delicate and fragile track to the one with the most dirty timbres and rich in distortions, while maintaining the ethereal and ritual suspension that marks the whole album.



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